Showing posts with label producers. Show all posts
Showing posts with label producers. Show all posts

Walt Disney

Movie Producers
Walt Disney
During a 43-year Hollywood career, which spanned the development of the motion picture medium as a modern American art, Walter Elias Disney, a modern Aesop, established himself and his product as a genuine part of Americana. David Low, the late British political cartoonist, called Disney "the most significant figure in graphic arts since Leonardo DaVinci." A pioneer and innovator, and the possessor of one of the most fertile imaginations the world has ever known, Walt Disney, along with members of his staff, received more than 950 honors and citations from every nation in the world, including 48 Academy Awards and 7 Emmys in his lifetime. Walt Disney's personal awards included honorary degrees from Harvard, Yale, the University of Southern California and UCLA; the Presidential Medal of Freedom; France's Legion of Honor and Officer d'Academie decorations; Thailand's Order of the Crown; Brazil's Order of the Southern Cross; Mexico's Order of the Aztec Eagle; and the Showman of the World Award from the National Association of Theatre Owners. The creator of Mickey Mouse and founder of Disneyland and Walt Disney World were born in Chicago, Illinois, on December 5, 1901. His father, Elias Disney, was an Irish-Canadian. His mother, Flora Call Disney, was of German-American descent. Walt was one of five children, four boys and a girl.
Raised on a farm near Marceline, Missouri, Walt became interested in drawing at an early age, selling his first sketches to neighbors when he was only seven years old. At McKinley High School in Chicago, Disney divided his attention between drawing and photography, contributing both to the school paper. At night he attended the Academy of Fine Arts.
During the fall of 1918, Disney attempted to enlist for military service. Rejected because he was only 16 years of age, Walt joined the Red Cross and was sent overseas, where he spent a year driving an ambulance and chauffeuring Red Cross officials. His ambulance was covered from stem to stem, not with stock camouflage, but with drawings and cartoons.
After the war, Walt returned to Kansas City, where he began his career as an advertising cartoonist. Here, in 1920, he created and marketed his first original animated cartoons, and later perfected a new method for combining live-action and animation.
In August of 1923, Walt Disney left Kansas City for Hollywood with nothing but a few drawing materials, $40 in his pocket and a completed animated and live-action film. Walt's brother, Roy 0. Disney, was already in California, with an immense amount of sympathy and encouragement, and $250. Pooling their resources, they borrowed an additional $500, and constructed a camera stand in their uncle's garage. Soon, they received an order from New York for the first "Alice Comedy" featurette, and the brothers began their production operation in the rear of a Hollywood real estate office two blocks away.
On July 13, 1925, Walt married one of his first employees, Lillian Bounds, in Lewiston, Idaho. They were blessed with two daughters: Diane, married to Ron Miller, former president and chief executive officer of Walt Disney Productions; and Sharon Disney Lund, who served as a member of Disney's Board of Directors and passed away in 1993. The Millers have seven children and Mrs. Lund had three.
Mickey Mouse was created in 1928, and his talents were first used in a silent cartoon entitled "Plane Crazy." However, before the cartoon could be released, sound burst upon the motion picture screen. Thus Mickey made his screen debut in "Steamboat Willie," the world's first fully-synchronized sound cartoon, which premiered at the Colony Theatre in New York on November 18, 1928.
Walt's drive to perfect the art of animation was endless. Technicolor was introduced to animation during the production of his "Silly Symphonies." In 1932, the film entitled "Flowers and Trees" won Walt the first of his 32 personal Academy Awards. In 1937, he released "The Old Mill," the first short subject to utilize the multiplane camera technique.
On December 21 of that same year, "Snow White and the Seven Dwarfs," the first full-length animated musical feature, premiered at the Carthay Circle Theatre in Los Angeles. Produced at the unheard cost of $1,499,000 during the depths of the Depression, the film is still accounted as one of the great feats and imperishable monuments of the motion picture industry. During the next five years, Walt completed such other full-length animated classics as "Pinocchio," "Fantasia," "Dumbo," and "Bambi."
In 1940, construction was completed on Disney's Burbank studio. The staff swelled to more than 1,000 artists, animators, story men and technicians. During World War II, 94 percent of the Disney facilities were engaged in special government work, including the production of training and propaganda films for the armed services, as well as health films which are still shown throughout the world by the U.S. State Department. The remainders of his efforts were devoted to the production of comedy short subjects, deemed highly essential to civilian and military morale.
Disney's 1945 feature, the musical "The Three Caballeros," combined live action with the cartoon medium, a process he used successfully in such other features as "Song of the South" and the highly acclaimed "Mary Poppins." In all, 81 features were released by the studio during his lifetime.
Walt's inquisitive mind and keen sense for education through entertainment resulted in the award-winning "True-Life Adventure" series. Through such films as "The Living Desert," "The Vanishing Prairie," "The African Lion," and "White Wilderness," Disney brought fascinating insights into the world of wild animals and taught the importance of conserving our nation's outdoor heritage.
Disneyland, launched in 1955 as a fabulous $17 million Magic Kingdom, soon increased its investment tenfold. By its third decade, more than 250 million people were entertained, including presidents, kings and queens, and royalty from all over the globe.
A pioneer in the field of television programming, Disney began production in 1954, and was among the first to present full-color programming with his "Wonderful World of Color" in 1961. "The Mickey Mouse Club" and "Zorro" were popular favorites in the 1950s.
But that was only the beginning. In 1965, Walt Disney turned his attention toward the problem of improving the quality of urban life in America. He personally directed the design on an Experimental Prototype Community of Tomorrow, or EPCOT, planned as a living showcase for the creativity of American industry.
Thus, Disney directed the purchase of 43 square miles of virgin land -- twice the size of Manhattan Island -- in the center of the state of Florida. Here, he master planned a whole new Disney world of entertainment to include a new amusement theme park, motel-hotel resort vacation center and his Experimental Prototype Community of Tomorrow. After more than seven years of master planning and preparation, including 52 months of actual construction, Walt Disney World opened to the public as scheduled on October 1, 1971. Epcot Center opened on October 1, 1982.
Prior to his death on December 15, 1966, Walt Disney took a deep interest in the establishment of California Institute of the Arts, a college level, professional school of all the creative and performing arts. Of Cal Arts, Walt once said, "It's the principal thing I hope to leave when I move on to greener pastures. If I can help provide a place to develop the talent of the future, I think I will have accomplished something."
California Institute of the Arts was founded in 1961 with the amalgamation of two schools, the Los Angeles Conservatory of Music and Chouinard Art Institute. The campus is located in the city of Valencia, 32 miles northeast of downtown Los Angeles. Walt Disney conceived the new school as a place where all the performing and creative arts would be taught under one roof in a "community of the arts" as a completely new approach to professional arts training.
Walt Disney is a legend and a folk hero of the 20th century. His worldwide popularity was based upon the ideas which his name represents: imagination, optimism and self-made success in the American tradition. Walt Disney did more to touch the hearts, minds, and emotions of millions of Americans than any other man in the past century. Through his work, he brought joy, happiness and a universal means of communication to the people of every nation. Certainly, our world shall know but one Walt Disney.

Aaron Spelling

Movie Producers
Aaron Spelling
Personal Info
Born: 22 April 1923, Dallas, Texas, USA
Died: 23 June 2006, Los Angeles, California, USA (aged 83)
Birth Name: Aaron Spelling
Salary
• n/a

Companies
• n/a

Representation
• Creative Artists Agency

Awards
Emmy Awards
1994
• Won, Emmy
Outstanding Made for Television Movie for And the Band Played On (1993)
Shared With: E. Duke Vincent (executive producer), Midge Sanford (producer), Sarah Pillsbury (producer)

1989
• Won, Emmy
Outstanding Drama/Comedy Special for Day One (1989)
Shared With: E. Duke Vincent (executive producer), David W. Rintels (producer)
• Tied with Roe vs. Wade.

1982
• Nominated, Emmy
Outstanding Drama Series for Dynasty (1981)
Shared With: Douglas S. Cramer (executive producer), E. Duke Vincent (supervising producer), Edward Ledding (producer), Elaine Rich (producer)

1980
• Nominated, Emmy
Outstanding Drama Series for Family (1976)
Shared With: Leonard Goldberg (executive producer), Edward Zwick (producer)

1978
• Nominated, Emmy
Outstanding Drama Series for Family (1976)
Shared With: Leonard Goldberg (executive producer), Nigel McKeand (producer)

1977
• Nominated, Emmy
Outstanding Drama Series for Family (1976)
Shared With: Leonard Goldberg (executive producer), Mike Nichols (executive producer), Nigel McKeand (producer)

1970
• Nominated, Emmy
Outstanding Dramatic Series for The Mod Squad (1968)
Shared With: Danny Thomas (executive producer), Tony Barrett, Harve Bennett

Another 7 wins & 7 nominations
Film Credits
Bounty Hunters (2004) (TV) (filming) (executive producer)
Silver Lake (2004) (TV) (executive producer)
"Clubhouse" (2004) TV Series (executive producer)
"Summerland" (2004) TV Series (executive producer)
Summerland (2004) (TV) (executive producer)
Hotel (2003) (TV) (executive producer)
"10-8: Officers on Duty" (2003) TV Series (executive producer)
"Henry Lee Project, The" (2003) TV Series (executive producer)
"Kingpin" (2003) (mini) TV Series (executive producer)
"Queens Supreme" (2003) TV Series (executive producer)
"Deep Cover" (2002) TV Series (executive producer)
"Home of the Brave" (2002) TV Series (executive producer)
"Stop at Nothing" (2001) TV Series (producer)
"All Souls" (2001) TV Series (executive producer)
Charlie's Angels (2000) (executive producer)
"Titans" (2000) TV Series (executive producer)
Titans (2000) (TV) (executive producer)
Satan's School for Girls (2000) (TV) (executive producer)
"Safe Harbor" (1999) TV Series (executive producer)
Mod Squad, The (1999) (executive producer)
"Rescue 77" (1999) TV Series (executive producer)
"Charmed" (1998) TV Series (executive producer) (1998-)
"Buddy Faro" (1998) TV Series (executive producer)
"Love Boat: The Next Wave, The" (1998) TV Series (executive producer)
Odd Jobs (1997) (TV) (producer)
"Pacific Palisades" (1997) TV Series (executive producer)
"Sunset Beach" (1997) TV Series (producer)
After Jimmy (1996) (TV) (executive producer)
"7th Heaven" (1996) TV Series (executive producer)
Hart to Hart: Till Death Do Us Hart (1996) (TV) (executive producer)
Season in Purgatory, A (1996) (TV) (executive producer)
"Kindred: The Embraced" (1996) TV Series (executive producer)
Hart to Hart: Harts in High Season (1996) (TV) (executive producer)
"Malibu Shores" (1996) TV Series (executive producer)
"Savannah" (1996) TV Series (executive producer)
"Beverly Hills, 90210" (1990) TV Series (executive producer) (1995-)
Hart to Hart: Two Harts in Three-Quarters Time (1995) (TV) (executive producer)
Hart to Hart: Secrets of the Hart (1995) (TV) (executive producer)
"University Hospital" (1995) TV Series (producer)
"Burke's Law" (1994) TV Series (producer)
"Robin's Hoods" (1994) TV Series (producer)
"Models Inc." (1994) TV Series (executive producer)
Green Dolphin Beat (1994) (TV) (producer)
Love on the Run (1994) (TV) (executive producer)
Hart to Hart: Old Friends Never Die (1994) (TV) (executive producer)
Hart to Hart: Crimes of the Hart (1994) (TV) (executive producer)
Hart to Hart: Home Is Where the Hart Is (1994) (TV) (executive producer)
Jane's House (1994) (TV) (executive producer)
Gulf City (1993) (TV) (executive producer)
Hart to Hart: Hart to Hart Returns (1993) (TV) (executive producer)
Sidney Sheldon's A Stranger in the Mirror (1993) (TV) (executive producer)
And the Band Played On (1993) (TV) (executive producer)
"Round Table, The" (1992) TV Series (executive producer)
"Heights, The" (1992) TV Series (producer)
"2000 Malibu Road" (1992) TV Series (executive producer)
"Melrose Place" (1992) TV Series (executive producer)
Grass Roots (1992) (TV) (executive producer)
Back to the Streets of San Francisco (1992) (TV) (executive producer)
Soapdish (1991) (producer)
Jailbirds (1991) (TV) (executive producer)
Love Boat: A Valentine Voyage, The (1990) (TV) (executive producer)
Loose Cannons (1990) (producer)
Rich Men, Single Women (1990) (TV) (executive producer)
Day One (1989) (TV) (executive producer)
"Nightingales" (1989) TV Series (producer)
Divided We Stand (1988) (TV) (executive producer)
Satisfaction (1988) (producer)
Cross My Heart (1987) (associate producer)
Surrender (1987) (producer)
Three O'Clock High (1987) (executive producer)
Cracked Up (1987) (TV) (executive producer)
"Life with Lucy" (1986) TV Series (executive producer)
'Night, Mother (1986) (producer)
Dark Mansions (1986) (TV) (executive producer)
T.J. Hooker: Blood Sport (1986) (TV) (executive producer)
"Crossings" (1986) (mini) TV Series (executive producer)
"Colbys, The" (1985) TV Series (executive producer)
International Airport (1985/I) (TV) (executive producer)
"Hollywood Wives" (1985) (mini) TV Series (executive producer)
"Finder of Lost Loves" (1984) TV Series (producer)
"Glitter" (1984) TV Series (producer)
Velvet (1984) (TV) (producer)
Dark Mirror (1984) (TV) (executive producer)
Making of a Male Model (1983) (TV) (executive producer)
"Hotel" (1983) TV Series (executive producer)
Shooting Stars (1983) (TV) (executive producer)
Mr. Mom (1983) (executive producer)
"At Ease" (1983) TV Series (producer)
Don't Go to Sleep (1982) (TV) (executive producer)
Wild Women of Chastity Gulch, The (1982) (TV) (executive producer)
Massarati and the Brain (1982) (TV) (executive producer)
"T.J. Hooker" (1982) TV Series (executive producer)
T.J. Hooker (1982) (TV) (executive producer)
Sizzle (1981) (TV) (executive producer)
"Strike Force" (1981) TV Series (producer)
Best Little Girl in the World, The (1981) (TV) (executive producer)
"Dynasty" (1981) TV Series (executive producer) (producer)
Waikiki (1980) (TV) (executive producer)
Casino (1980) (TV) (executive producer)
Murder Can Hurt You (1980) (TV) (executive producer)
"B.A.D. Cats" (1980) TV Series (executive producer)
"French Atlantic Affair, The" (1979) (mini) TV Series (executive producer)
"Hart to Hart" (1979) TV Series (executive producer)
Hart to Hart (1979) (TV) (executive producer)
Love's Savage Fury (1979) (TV) (executive producer)
Return of the Mod Squad (1979) (TV) (executive producer)
Power Within, The (1979) (TV) (executive producer)
Beach Patrol (1979) (TV) (executive producer)
"Friends" (1979) TV Series (executive producer)
Users, The (1978) (TV) (executive producer)
Kate Bliss and the Ticker Tape Kid (1978) (TV) (executive producer)
Vega$ (1978) (TV) (executive producer)
Wild and Wooly (1978) (TV) (executive producer)
Cruise Into Terror (1978) (TV) (producer)
"Fantasy Island" (1978) TV Series (executive producer)
Return to Fantasy Island (1978) (TV) (executive producer)
"Love Boat, The" (1977) TV Series (executive producer)
San Pedro Bums, The (1977) (TV) (executive producer)
Love Boat II, The (1977) (TV) (executive producer)
Little Ladies of the Night (1977) (TV) (executive producer)
Fantasy Island (1977) (TV) (producer)
Boy in the Plastic Bubble, The (1976) (TV) (executive producer)
"Charlie's Angels" (1976) TV Series (executive producer)
Death at Love House (1976) (TV) (executive producer)
New Daughters of Joshua Cabe, The (1976) (TV) (executive producer)
Baby Blue Marine (1976) (producer)
Charlie's Angels (1976) (TV) (executive producer)
"Family" (1976/III) TV Series (executive producer)
One of My Wives Is Missing (1976) (TV) (executive producer)
Legend of Valentino, The (1975) (TV) (producer)
Murder on Flight 502 (1975) (TV) (executive producer)
"Starsky and Hutch" (1975) TV Series (executive producer)
Starsky and Hutch (1975) (TV) (executive producer)
"S.W.A.T." (1975) TV Series (executive producer)
Daughters of Joshua Cabe Return, The (1975) (TV) (executive producer)
Only with Married Men (1974) (TV) (executive producer)
Death Cruise (1974) (TV) (producer)
Hit Lady (1974) (TV) (producer)
Death Sentence (1974) (TV) (producer)
Savages (1974) (TV) (producer)
California Split (1974) (executive producer)
Cry Panic (1974) (TV) (producer)
Girl Who Came Gift-Wrapped, The (1974) (TV) (executive producer)
"Chopper One" (1974) TV Series (executive producer)
"Firehouse" (1974) TV Series (executive producer)
Death Squad, The (1974) (TV) (producer)
Affair, The (1973) (TV) (executive producer)
Letters from Three Lovers (1973) (TV) (producer)
Hijack (1973) (TV) (producer)
Satan's School for Girls (1973) (TV) (producer)
Bait, The (1973) (TV) (executive producer)
Letters, The (1973) (TV) (executive producer)
Great American Beauty Contest, The (1973) (TV) (executive producer)
Snatched (1973) (TV) (producer)
Chill Factor, The (1973) (TV) (executive producer)
Every Man Needs One (1972) (TV) (executive producer)
Home for the Holidays (1972) (TV) (executive producer)
Bounty Man, The (1972) (TV) (producer)
Rolling Man (1972) (TV) (executive producer)
Say Goodbye, Maggie Cole (1972) (TV) (producer)
No Place to Run (1972) (TV) (producer)
Daughters of Joshua Cabe, The (1972) (TV) (executive producer)
"Rookies, The" (1972) TV Series (executive producer)
Rookies, The (1972) (TV) (producer)
Two for the Money (1972/I) (TV) (executive producer)
Trackers, The (1971) (TV) (executive producer) (producer)
If Tomorrow Comes (1971) (TV) (executive producer)
Reluctant Heroes, The (1971) (TV) (executive producer)
Death of Me Yet, The (1971) (TV) (producer)
In Broad Daylight (1971) (TV) (executive producer)
Taste of Evil, A (1971/II) (TV) (producer)
Last Child, The (1971) (TV) (executive producer)
Five Desperate Women (1971) (TV) (executive producer)
Congratulations, It's a Boy! (1971) (TV) (producer)
River of Gold (1971) (TV) (executive producer)
Yuma (1971) (TV) (producer)
Love Hate Love (1971) (TV) (executive producer)
Run, Simon, Run (1970) (TV) (producer)
Crowhaven Farm (1970) (TV) (executive producer)
Over-the-Hill Gang Rides Again, The (1970) (TV) (executive producer)
House That Would Not Die, The (1970) (TV) (producer)
Wild Women (1970) (TV) (executive producer)
Old Man Who Cried Wolf, The (1970) (TV) (executive producer)
"Most Deadly Game, The" (1970) TV Series (executive producer)
But I Don't Want to Get Married! (1970) (TV) (producer)
How Awful About Allan (1970) (TV) (executive producer)
Love War, The (1970) (TV) (producer)
Carter's Army (1970) (TV) (producer)
Ballad of Andy Crocker, The (1969) (TV) (producer)
Pigeon, The (1969) (TV) (executive producer)
Monk, The (1969) (TV) (executive producer) (producer)
Wake Me When the War Is Over (1969) (TV) (executive producer)
Over-the-Hill Gang, The (1969) (TV) (executive producer)
"New People, The" (1969) TV Series (producer)
"Mod Squad, The" (1968) TV Series (producer)
"Guns of Will Sonnett, The" (1967) TV Series (producer)
"Honey West" (1965) TV Series (executive producer)
"Daniel Boone" (1964) TV Series (executive producer)
"Burke's Law" (1963) TV Series (producer)
My Daddy Can Lick Your Daddy (1962) (executive producer)
Pair of Boots, A (1962) (executive producer)
"Dick Powell Show, The" (1961) TV Series (producer)
Guns of the Timberland (1960) (producer)
"Johnny Ringo" (1959) TV Series (producer)
"Zane Grey Theater" (1956) TV Series (producer)

BiographyThe son of an immigrant Russian tailor, Aaron Spelling grew up in the Jewish ghetto of Dallas. Traumatized by constant bullying from his WASP schoolmates, Spelling psychosomatically lost the use of his legs at age eight and was confined to bed for a year. He spent his solitude with the written works of Mark Twain, O. Henry, and other masters, developing his own storytelling skills in the process. After wartime service with the Army Air Force, Spelling attended Southern Methodist University, then headed to New York, hoping to find work as an actor and writer. No one was interested in his writing, though he did eventually secure a few good film and TV roles (he was the squirrelly murderer in Vicki, the 1952 remake of 1941's I Wake up Screaming). He then moved to California in the company of his wife, actress Carolyn Jones. While her career flourished, his dreams of becoming a great writer dwindled, and he reluctantly returned to acting. Spelling's writing skills finally came to the attention of actor/production executive Dick Powell, who hired Spelling as a scripter and producer for Powell's Four Star Productions. Spelling's strong suit during this period was the ability to woo TV-shy film actors into the Four Star fold by writing the sort of parts they'd like to play, but had never been permitted to by the Hollywood typecasting system. After Dick Powell died, Spelling became aligned with comedian/TV mogul Danny Thomas, for whom Spelling produced the hit series The Mod Squad in 1968. His new-found industry clout permitted Spelling to produce one TV hit after another: The Rookies, Starsky and Hutch, S.W.A.T., Charlie's Angels, Dynasty, among others. Whenever accused of merely turning out "schlock," Spelling could point with pride to his highly regarded weekly drama Family, and, much later, to his Emmy win for Day One, a 1989 TV-movie about the wartime Manhattan Project. After several years of indifferent projects, Aaron Spelling once more became the king of youth-oriented television with his 1990 series Beverly Hills 90210 (which co-starred his daughter, Tori) and the equally popular follow-up Melrose Place.

George Lucas

Movie Producers
George Lucas

Personal Info
Born: 14 May 1944, Modesto, California, USA
Birth Name: George Walton Lucas Jr.

Salary
• Star Wars: Episode I - The Phantom Menace (1999): $400,000,000
• Raiders of the Lost Ark (1981): $2,500,000 + net profits
• Body Heat (1981): $250,000 + 5% of profits
• Star Wars: Episode IV - A New Hope (1977): $200,000 + 40% of the net profits
• American Graffiti (1973): $50,000 + 15% of gross
• THX 1138 (1971): $15,000
• The Rain People (1969): $3,000
• Finian's Rainbow (1968): $3,000

Companies
• Lucasfilm Ltd.
• Industrial Light & Magic (ILM)

Representation
n/a

Awards
Academy Awards, USA
1992
• Irving G. Thalberg Memorial Award
• The crew of the orbiting space shuttle Atlantis (STS-45) participated in the presentation of the Thalberg Award to George Lucas. An Oscar statuette was aboard the shuttle to commemorate the event.

1978
• Nominated, Oscar
Best Director for Star Wars: Episode IV - A New Hope (1977)

• Nominated, Oscar
Best Writing, Screenplay Written Directly for the Screen for Star Wars: Episode IV - A New Hope (1977)

1974
• Nominated, Oscar
Best Director for American Graffiti (1973)

• Nominated, Oscar
Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced for American Graffiti (1973)
Shared With: Gloria Katz, Willard Huyck

Another 22 wins & 21 nominations
Film Credits
Indiana Jones 4 (2006) (in production) (characters) (story)
Star Wars: Episode III - Revenge of the Sith (2005) (post-production)
"Star Wars: Clone Wars" (2003) TV Series (characters and universe)
Han Solo Affair, The (2002) (characters)
Jedi Hunter, The (2002) (character: Boba Fett) (uncredited)
Star Wars: Episode II - Attack of the Clones (2002) (screenplay) (story)
Star Wars: Obi-Wan (2001) (VG) (characters)
R2-D2: Beneath the Dome (2001) (TV) (character: R2-D2) (uncredited)
Crazy Watto (2000) (character: watto) (uncredited)
Adventures of Young Indiana Jones: Adventures in the Secret Service, The (1999) (V) (characters)
Adventures of Young Indiana Jones: Masks of Evil, The (1999) (V) (characters)
Adventures of Young Indiana Jones: Spring Break Adventure, The (1999) (V) (Mexican segment) (characters)
Adventures of Young Indiana Jones: The Trenches of Hell, The (1999) (V) (characters)
Star Wars: Episode I - The Phantom Menace (1999)
Dark Redemption, The (1999) (characters)
Star Wars: Yoda Stories (1997) (VG) (characters)
Young Indiana Jones and the Attack of the Hawkmen (1995) (TV) (characters)
Young Indiana Jones and the Treasure of the Peacock's Eye (1995) (TV) (characters)
Radioland Murders (1994) (story)
Star Wars: Rebel Assault (1993) (VG) (characters)
Indiana Jed (1992) (V) (stories)
Indiana Jones and the Fate of Atlantis (1992) (VG) (characters)
Indiana Jones and the Last Crusade (1989) (characters) (story)
Star Wars (1988) (VG) (story and screenplay)
Willow (1988) (story)
Captain EO (1986) (story)
"Droids" (1985) TV Series (characters)
Empire Strikes Back, The (1985) (VG) (screen story)
"Ewoks" (1985) TV Series (characters)
Ewoks: The Battle for Endor (1985) (TV) (story)
Ewok Adventure, The (1984) (TV) (story)
Indiana Jones and the Temple of Doom (1984) (story)
Star Wars (1983) (VG)
Star Wars: Episode VI - Return of the Jedi (1983) (story)
Raiders of the Lost Ark (1981) (story)
Star Wars: Episode V - The Empire Strikes Back (1980) (story)
More American Graffiti (1979) (characters)
Star Wars Holiday Special, The (1978) (TV) (uncredited)
Star Wars (1977) (written by)
American Graffiti (1973) (screenplay)
THX 1138 (1971) (earlier screenplay) (story)
THX 1138:4EB (1970)
Filmmaker (1968)
6-18-67 (1967)
Anyone Lived in a Pretty How Town (1967)
Emperor, The (1967)
1:42:08: A Man and His Car (1966)
Freiheit (1966) (as Lucas)
Herbie (1966)
Look at Life (1965)

BiographyGeorge Lucas was born in Modesto, California. The son of a stationery store owner, he was raised on a walnut ranch, and attended Modesto Junior College before enrolling in the University of Southern California film school. As a student at USC, Lucas made several short films, including Electronic Labyrinth: THX-1138: 4EB, which took first prize at the 1967-68 National Student Film Festival.

In 1967, Warner Brothers awarded him a scholarship to observe the filming of Finian's Rainbow, directed by UCLA grad Francis Ford Coppola. The following year, Lucas worked as Coppola's assistant on The Rain People and made a short film entitled Film Maker about the directing of the movie.

Lucas and Coppola shared a common vision of starting an independent film production company where a community of writers, producers, and directors could share ideas. In 1969, the two filmmakers moved to Northern California, where they founded American Zoetrope. The company's first project was Lucas's full-length version of THX:1138. In 1971, Coppola went into production for The Godfather, and Lucas formed his own company, Lucasfilm Ltd.

In 1973, Lucas co-wrote and directed American Graffiti. The film won the Golden Globe, the New York Film Critics' and National Society of Film Critics' awards, and garnered five Academy Award nominations.

Four years later, Lucas wrote and directed Star Wars -- a film which broke all box office records and earned seven Academy Awards. This intergalactic tale of good vs. evil combined cutting-edge technology with good old-fashioned storytelling, and movies haven't been the same since. Lucas went on to write the stories for The Empire Strikes Back and Return Of The Jedi, which he also executive-produced.
In 1980, he was the executive producer of Raiders of the Lost Ark, directed by Steven Spielberg, which won five Academy Awards. He was also the co-executive producer and creator of the story for Indiana Jones and the Temple of Doom.
In the mid-1980s, Lucas concentrated on constructing Skywalker Ranch, a facility custom-designed by Lucas to accommodate the creative, technical, and administrative needs of his companies. Skywalker Ranch includes a 150,000-square-foot post production and music recording facility as well as offices used for the research and development of new technologies in editing, audio, and multimedia. The Ranch, named after the Star Wars character Luke Skywalker, was completed in1985.

In 1986, Lucas executive-produced Disneyland's 3-D musical space adventure Captain Eo, which was directed by Francis Coppola and starred Michael Jackson. Captain Eo was shown in a theater uniquely designed by Lucas, Industrial Light &Magic, and Disney for the 17-minute spectacular. He was also the creator of Star Tours, combining the technology of a flight simulator with ILM special effects -- making it the most popular attraction at Disneyland.

His next project was the adventure-fantasy film Willow. Based on an original story by Lucas, the film was directed by Ron Howard and executive-produced by Lucas. Willow was released in 1988. Also in 1988, Lucas executive-produced Tucker: The Man and His Dream, directed by Francis Coppola. The following year, Lucas served as executive producer for Indiana Jones and the Last Crusade.
The company established by George Lucas in 1971 has today evolved into three entities. Lucas Digital Ltd. encompasses Industrial Light & Magic (ILM) and Skywalker Sound, the award-winning visual effects, television commercial production, and audio post-production businesses. ILM has played a key role in over half of the top 15 box office hits of all time, and was honored in 1994 with an Academy Award for its achievements in Forrest Gump, which marked a technological breakthrough for the film industry.
LucasArts Entertainment Company is a leading international developer and publisher of entertainment software, having won critical acclaim with more than 100 industry awards for excellence, consistently charting in top ten lists of best selling software.

Lucasfilm Ltd. includes all of Lucas's feature film and television production and the business activities of Licensing and the The THX Group. The THX division was created to define and maintain the highest quality standards in motion picture theaters and home theater systems.

Additionally, George Lucas serves as Chairman of the Board of The George Lucas Educational Foundation, a tax-exempt charitable organization devoted to realizing the vision of a technology-enriched educational system of the future.
In 1992, after numerous awards, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences.
In 1999, Lucasfilm unveiled the latest installment in the Star Wars saga. After a series of premiere screenings that raised $5.6 million for charity, The Phantom Menace opened to record-breaking business across North America. It demolished the opening weekend box office records in 28 countries and ended the year with worldwide ticket sales of $922 million, making it the second-highest grossing film ever released. The next installment of the series is scheduled for release in 2002.

Stanley Kubrick

Movie Producers
Stanley Kubrick

Personal Info
Born: 26 July 1928, New York, New York, USA
Died: 7 March 1999, Harpenden, Hertfordshire, England, UK (natural causes, age 70)
Birth Name: Stanley Kubrick

Salary
• n/a

Companies
• n/a

Representation
• n/a

Awards
Academy Awards, USA
1988
• Nominated, Oscar
Best Writing, Screenplay Based on Material from Another Medium for Full Metal Jacket (1987)
Shared With: Michael Herr, Gustav Hasford

1976
• Nominated, Oscar
Best Director for Barry Lyndon (1975)

• Nominated, Oscar
Best Picture for Barry Lyndon (1975)

• Nominated, Oscar
Best Writing, Screenplay Adapted From Other Material for Barry Lyndon (1975)

1972
• Nominated, Oscar
Best Director for A Clockwork Orange (1971)

• Nominated, Oscar
Best Picture for A Clockwork Orange (1971)

• Nominated, Oscar
Best Writing, Screenplay Based on Material from Another Medium for A Clockwork Orange (1971)

1969
• Won, Oscar
Best Effects, Special Visual Effects for 2001: A Space Odyssey (1968)

• Nominated, Oscar
Best Director for 2001: A Space Odyssey (1968)

• Nominated, Oscar
Best Writing, Story and Screenplay - Written Directly for the Screen for 2001: A Space Odyssey (1968)
Shared With: Arthur C. Clarke

1965
• Nominated, Oscar
Best Director for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

• Nominated, Oscar
Best Picture for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

• Nominated, Oscar
Best Writing, Screenplay Based on Material from Another Medium for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Shared With: Peter George, Terry Southern

Another 31 wins & 46 nominations
Film Credits
One Among Us - Special Thanks 2005
Artificial Intelligence: AI - Concept (uncredited), Dedicatee 2001
Eyes Wide Shut - Director, Writer (screenplay), Producer 1999
Full Metal Jacket - Director, Writer (screenplay), Producer, Murphy (voice) (uncredited) 1987
The Shining - Director, Writer (screenplay), Producer 1980
The Spy Who Loved Me - Lighting Advisor (tanker scenes) (uncredited) 1977
Barry Lyndon - Director, Writer (screenplay), Producer 1975
A Clockwork Orange - Director, Writer (screenplay), Producer, Customer (uncredited) 1971
2001: A Space Odyssey - Director, Writer (screenplay), Producer, Special Photographic Effects Designer, Special Photographic Effects Director 1968
Dr. Strangelove - Director, Writer (screenplay and adaptation), Producer 1964
Lolita - Director, Writer (uncredited) 1962
Spartacus - Director 1960
Paths of Glory - Director, Writer (screenplay), Cinematographer (uncredited), Producer 1957
The Killing - Director, Writer (screenplay) 1956
Killer's Kiss - Director, Writer (story), Producer, Cinematographer, Editor 1955
The Seafarers (documentary short) - Director, Cinematographer, Editor, Sound 1953
Fear and Desire - Director, Writer, Producer, Cinematographer, Editor 1953
Day of the Fight (documentary short) - Director, Producer, Himself (man at ringside with camera) (uncredited), Cinematographer, Editor (uncredited), Sound Editor (uncredited) 1951
Flying Padre (documentary short) - Director, Writer, Cinematographer 1951

BiographyStanley Kubrick was born in New York, and was considered intelligent despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father Jack (a physician) sent him in 1940 to Pasadena, California, to stay with his uncle Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and _Seafarers, The (1952)_ ), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1953) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and Killing, The (1956) brought him to the attention of Hollywood, and in 1957 directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crewmembers were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick is rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was collaboration with sci-fi author Arthur C. Clarke 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with Clockwork Orange, A (1971), which rivaled Lolita (1962) for the controversy it generated - this time not for only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security have resulted in him being considered a recluse ever since.
Having turned down directing a sequel to Exorcist, The (1973), Kubrick made his own horror film: Shining, The (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as "Shining, The" (1997) (mini).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on Artificial Intelligence: AI (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discretely about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.

Robert Zemeckis

Movie Producers
Robert Zemeckis
Personal Info
Born: 14 May 1952, Chicago, Illinois, USA
Birth Name: Robert Lee Zemeckis 
Salary
n/a

Companies
• ImageMovers

Representation
• Rogers & Cowan PR (agent)
• Rogers & Cowan PR (publicist)

Awards
Academy Awards, USA
1995
• Won, Oscar
Best Director for Forrest Gump (1994)

1986
• Nominated, Oscar
Best Writing, Screenplay Written Directly for the Screen for Back to the Future (1985)
Shared With: Bob Gale

Another 13 wins & 19 nominations
Film Credits
Monster House - Executive Producer 2006
Last Holiday - Executive Producer 2006
The Prize Winner of Defiance, Ohio - Producer 2005
House of Wax - Producer 2005
The Polar Express - Producer, Director, Writer (screenplay) 2004
Gothika - Producer 2003
Idle (short) - Project Mentor 2003
Matchstick Men - Executive Producer 2003
Ghost Ship - Producer 2002
S1m0ne - Special Thanks 2002
Thir13en Ghosts - Producer 2001
Tales from the Crypt Presents: Revelation - Producer 2001
Cast Away - Producer, Director 2000
What Lies Beneath - Producer, Director 2000
House on Haunted Hill - Producer 1999
Contact - Producer, Director 1997
Bordello of Blood - Executive Producer, Writer (story) 1996
The Frighteners - Executive Producer 1996
Demon Knight - Executive Producer 1995
Forrest Gump - Director 1994
Trespass - Executive Producer, Writer (written by) 1992
The Public Eye - Executive Producer 1992
Death Becomes Her - Producer, Director 1992
Back to the Future Part III - Director, Writer (characters) (story) 1990
Back to the Future Part II - Director, Writer (characters) (story) 1989
Who Framed Roger Rabbit - Director 1988
Back to the Future - Director, Writer (written by) 1985
Romancing the Stone - Director 1984
Used Cars - Director, Writer (written by) 1980
1941 - Writer (story) 1979
I Wanna Hold Your Hand - Director, Writer 1978
A Field of Honor (short) - Director, Writer 1973
The Lift (short) - Director, Writer 1972

BiographyAccording to both the official site for What Lies Beneath as well as Hollywood.com, Robert Zemeckis began making home movies as a child in Chicago. He eventually attended the University of Southern California's School of Cinema-Television where he befriended budding filmmakers like George Lucas and John Milius. Zemeckis directed a pair of well received student films while at USC (The Lift and A Field of Honor). He soon met a man who would change his life, a burgeoning young star director named Steven Spielberg who was then based at Universal Pictures. Spielberg was impressed enough with Zemeckis' student films to agree to executive produce his feature film debut, I Wanna Hold Your Hand. Zemeckis and his writing partner Bob Gale penned this nostalgia romp about a group of teens in 1964 who trek to the Big Apple to see the Beatles perform on The Ed Sullivan Show.
Zemeckis and Gale then penned the screenplay for Spielberg's first big flop, the war comedy 1941, before moving on to Zemeckis' sophomore effort, the 1980 comedy Used Cars, starring Kurt Russell. It was Zemeckis' third film, the 1984 blockbuster adventure Romancing the Stone that put him on the map as an A-list director. Starring Michael Douglas, Kathleen Turner, and Danny DeVito, Stone was a lively mixture of action, comedy, and romance that spawned a lesser sequel, The Jewel of the Nile, which Zemeckis did not helm.
The success of Romancing the Stone led to even great box office success with the time-travel flick, Back to the Future. Produced by Steven Spielberg and co-written by Zemeckis and Gale, BTTF may have endured an arduous shoot (lead Eric Stoltz was replaced by Michael J. Fox part way through filming) but it became a smash hit at the box office and is one of the few genuine classics made during the 1980s. Zemeckis' "golden boy" status was cemented with 1988's Who Framed Roger Rabbit?, an inventive hybrid of live-action and animation that recalled the Film Noir genre as well as the classic cartoons of Disney and Warner Brothers.
Roger Rabbit proved to be a huge box office success as well as a winner for its (then) groundbreaking special effects. Zemeckis also dabbled in television during this time, producing, directing, and scripting episodes of the horror anthology series Tales from the Crypt. He then helmed two lesser Back to the Future sequels (1989 and 1990, respectively). Although there was an audience for them, the BTTF sequels were not on par with Zemeckis' other directing efforts to that point. Another critical and commercial disappointment came in the form of Death Becomes Her, an inventive 1992 black comedy starring Meryl Streep, Goldie Hawn, and Bruce Willis (cast against type)

Zemeckis licked his wounds and rallied back with a huge success, the Oscar-winning box office smash, Forrest Gump. Based on Winston Groom's novel, Gump was yet another Zemeckis concoction of pop culture references, period nostalgia, comedy, and romance that captured the hearts (and wallets) of the filmgoing public. Although not a critical success when first released, Gump nevertheless won a slew of Oscars, including Best Picture, Director, Actor (Tom Hanks' second win in a row), and Adapted Screenplay (Eric Roth). Zemeckis also won a Golden Globe and a Directors Guild of America Award for the film.

The underrated 1997 science-fiction drama Contact was Zemeckis' first post-Gump directing effort. Zemeckis would not have another film in cinemas until 2000 with the back-to-back releases of the Tom Hanks survival drama Cast Away and the Hitchcockian wanna-be What Lies Beneath, starring Harrison Ford (cast against type) and Michelle Pfeiffer. Although both films opened to mixed reviews, they did well at the box office.
In addition to directing feature films, Zemeckis also produces many films (often times with Joel Silver) and scripts some (such as Trespass) for other directors. He's Zemeckis' longtime professional relationship with Steven Spielberg nearly came to an end last year when the director almost parted company with Spielberg's studio, DreamWorks. Rather than joining Warner Brothers, however, Zemeckis stuck with his old pal's studio.
Robert Zemeckis' films are distinguished by their whimsy, nostalgia, and wit, as well as the director's passion for groundbreaking special effects and genre-mixing storytelling. Like his idol Spielberg, Zemeckis' films have grown more ponderous of late. Both filmmakers have gone from being essentially great popcorn flick directors to artists pondering The Bigger Meaning about life and such. At least this Zemeckis fan would like to see him try his hand again at the sort of genre romps that made him a success to begin with.

MUST-SEE FILM:
Back to the Future, 1985. "Hello, McFly!" This film is quintessential Zemeckis. I love this hilarious blockbuster for many reasons not the least of which is that it reminds me of happier times. You should all be familiar with its plot: 1980s teen Marty McFly (Michael J. Fox, who replaced Eric Stoltz) travels through time via Doc Brown's (Christopher Lloyd) revamped DeLorean sportscar. Arriving in 1955, Marty manages to ruin the meeting of his future parents (Crispin Glover and Lea Thompson) and must then set things straight if he's to even exist.

During the course of his stay in the Fifties, Marty also helps to change his family's future for the better, introduces rock n' roll before its time, and runs afoul of high school bully Biff Tannen (Thomas J Wilson) and his gang. This audience favorite spawned two lesser sequels.

TURNING POINT FILM:
Forrest Gump, 1994. I'm well aware that I'm in the minority here but I'm not all that crazy about Gump. While I can see what some find charming about it, I found it to be a simplistic, meandering, and overrated venture. Tom Hanks gives an endearing performance in the title role ... but it always felt like a "performance" to me. Still, there's no way of denying Forrest Gump's success so rather than bestow upon the "must-see film" status that I don't feel it deserves, I'm designating it Zemeckis' "turning point film." That is the film that, for good or bad, marked a new direction in the filmmaker's career.

In Zemeckis' case, this was his first stab at "serious" fare (it's the film that his obituary will someday mention in its headline). Zemeckis' post-Gump/post-Oscar films have all been "serious" films (as opposed to movies, which is what he used to make).

CAREER HIGHLIGHTS:
I Wanna Hold Your Hand, 1978. This little comedy was Zemeckis' big screen directing debut and his earliest effort at exploring American pop culture. The story is set in 1964 and follows a group of New Jersey teens who are obsessed with trying to infiltrate the Ed Sullivan show on the night that the Beatles make their American TV debut. I saw this on cable many times as a kid since I was a big Beatles fan back then (I converted to Elvis in my teens). Its cast includes Nancy Allen (Robocop), Bobby DiCicco, Theresa Saldana, Marc McClure (Jimmy Olsen in the Superman films), and Eddie Deezen.

Romancing the Stone, 1984. Novelist Joan Wilder (Kathleen Turner) goes from being a "hopeless romantic" to a "hopeful romantic" in this hit action-comedy. Arriving in Columbia to save her kidnapped sister, Joan is way out of her element until she hooks up with sardonic adventurer Jack T. Colton (Michael Douglas), her fantasy hero come to life. Joan and Jack fall in love while eluding a pair of bumbling thieves and a contingent of vicious military that are all after a buried treasure. Through her relationship with Jack, Joan is able to live out adventures she had previously only been able to dream about.

Romancing the Stone is one of those films from my youth that I can always count on to cheer me up. There was an inferior sequel produced later, The Jewel of the Nile, which I only enjoy for that Billy Ocean song (hey, it reminds me of junior high).

Who Framed Roger Rabbit?, 1988. This blockbuster mix of live-action, animation, and Film Noir introduced the concept of "The Wrong Rabbit." Maroon Cartoon star Roger Rabbit (voiced by Charles Fleischer) is falsely accused of killing human nightclub owner Marvin Acme (Stubby Kaye) who was photographed playing "hanky-panky" with Roger's voluptuous cartoon wife Jessica (voiced by Kathleen Turner). Roger seeks help from gruff human private-eye Eddie Valiant (Bob Hoskins) in order to find out who set him up.

Their quest forces Eddie to return to "Toon Town" for the first time in years (after his brother was killed when a Toon dropped a safe on his head!). This is not only a wonderful fantasy fit for both kids and adults but it is also a nice homage to the Golden Age of Hollywood and a subtle indictment of racial prejudice. The cast includes Christopher Lloyd, Joanna Cassidy, and with cameos by cartoon icons Mickey Mouse, Bugs Bunny, Donald Duck, and Daffy Duck.

Cast Away, 2000. Zemeckis reteamed with Tom Hanks for this survival drama. Chuck (Hanks), a workaholic troubleshooter for FedEx, survives a plane crash that strands him on an idyllic bur uninhabited isle somewhere in the Pacific. Chuck, the epitome of the modern working man, is forced to degenerate to a nearly primitive nature in order to survive. Thanks to the studio's boneheaded marketing campaign, everyone knew going in that Chuck eventually escapes from the isle and returns home. Thought dead for the last four years, Chuck discovers that his fiancee (Helen Hunt) has moved on with her life and now he must, too.

Cast Away features a superior tour-de-force performance by Hanks to his (now punchline-inducing) performance in Forrest Gump. There are many gripping and poignant sequences throughout this memorable film yet it leaves you with many lingering questions. Four years on an island and you only try to build a raft and escape from it once?! And why the hell didn't he open that one package? Why was that one so special as opposed to the others? So the ending wouldn't get mucked up, that's why.

MISFIRE:
What Lies Beneath, 2000. It's been said that Brian De Palma's early thrillers are just bad Hitchcock. Well, if that's the case then this "Fatal Attraction meets The Sixth Sense" thriller is bad De Palma! While the offbeat casting of Harrison Ford at first seems inspired, by the end it's clear it was just stunt casting. Michelle Pfeiffer does what she can with the material but, ultimately, What Lies Beneath this film is a shoddy, formulaic script ridden with genre cliches and stock shocks. The film is not unentertaining; it's just a stupid movie, which is something I don't expect from a filmmaker of Mr. Zemeckis' caliber.

Ivan Reitman

Movie Producers
Ivan Reitman 

Personal Info
Born: 27 October 1946, Komárno, Czechoslovakia [now in Slovakia]
Birth Name: Ivan Reitman

Salary
• n/a

Companies
• The Montecito Picture Company

Representation
• Creative Artists Agency

Awards
Emmy Awards
1996
• Nominated, Emmy
Outstanding Made for Television Movie for The Late Shift (1996)
Shared With: Joe Medjuck (co-executive producer), Daniel Goldberg (co-executive producer), Don Carmody

Another 4 wins & 1 nomination
Film Credits
My Super Ex-Girlfriend - Director 2006
EuroTrip - Executive Producer 2004
Old School - Executive Producer 2003
Killing Me Softly - Executive Producer 2002
Frailty - Special Thanks 2001
Evolution - Producer, Director 2001
Gulp (short) - Special Thanks (as Our Parents) 2001
Road Trip - Executive Producer 2000
In God We Trust (short) - Very Special Thanks (as My Parents) 2000
Six Days Seven Nights - Producer, Director 1998
Mummies Alive! The Legend Begins (video) - Executive Producer 1998
Fathers' Day - Producer, Director 1997
Commandments - Executive Producer 1997
Private Parts - Producer 1997
Space Jam - Producer 1996
Junior - Producer, Director 1994
Beethoven's 2nd - Executive Producer, Presenter 1993
Dave - Producer, Director 1993
Beethoven - Executive Producer 1992
Stop! Or My Mom Will Shoot - Producer 1992
Kindergarten Cop - Producer, Director 1990
Ghostbusters II - Producer, Director 1989
Twins - Producer, Director 1988
Feds - Executive Producer 1988
Casual Sex? - Executive Producer 1988
Big Shots - Executive Producer 1987
Legal Eagles - Producer, Director, Writer (story) 1986
Ghost Busters - Producer, Director, Zuul/Slimer (voice) (uncredited) 1984
Spacehunter: Adventures in the Forbidden Zone - Executive Producer 1983
Heavy Metal - Producer 1981
Stripes - Producer, Director 1981
Meatballs - Director 1979
Animal House - Producer 1978
Blackout - Executive Producer 1978
Tigress - Producer 1977
Rage - Executive Producer, Music Supervisor 1977
Death Weekend - Producer, Musical Director 1976
They Came from Within - Producer, Music Supervisor 1975
Cannibal Girls - Executive Producer, Director, Writer (story) 1973
Foxy Lady - Producer, Director, Editor 1971
My Secret Life - Producer, Cinematographer 1969
Orientation (short) - Producer, Director, Writer 1968

BiographyBorn in Czechoslovakia, producer/director Ivan Reitman was raised in Canada by his concentration camp-survivor parents. After majoring in music at McMasters University, Reitman got his first taste of the line of work that was to bring him fame and fortune when he attended summer classes at the National Film Board. Here he directed his first short subjects, one of which received mainstream distribution. Encouraged by the Film Board to follow his own creative muse, Reitman was irresistibly attracted to "dangerous," cutting-edge material. His first feature-length directorial project, a 1970 adaptation of the notorious sub rosa Victorian sex novel My Secret Life, nearly landed him in jail. He went on to direct, produce, edit, and score the mildly exploitive Foxy Lady (1971), then directed and produced the horror semi-spoof Cannibal Girls (1973); the latter project represented his first cinematic contact with the famed Second City comedy troupe. In between handling the producing chores on several early David Cronenberg movie projects, Reitman produced Doug Henning's 1974 Broadway musical The Magic Show, then renewed his acquaintance with the Second City folk by producing The National Lampoon Show (1975). He helped elevate John Belushi to film stardom with his spectacularly successful 1978 production National Lampoon's Animal House, then did the same for Bill Murray in his 1979 directorial effort Meatballs, which ended up the biggest-grossing Canadian film of the year. After flirting with the Cinema of the Fantastic in his productions Heavy Metal (1981) and Spacehunter: Adventures in the Forbidden Zone (1983), Reitman deftly combined fantasy and comedy with his direction of the 1984 cash cow Ghostbusters (once more populated with Second City stalwarts, notably Dan Aykroyd, Bill Murray, Rick Moranis, and Harold Ramis). Though he has earned his comic stripes as a director, Reitman continues to produce and executive produce other director's projects, notably the runaway hit Beethoven (1991). While he seems to have an unerring Midas touch, not every Reitman project has turned to box-office gold: After helping to give Arnold Schwarzenegger a lighter, more amusing image in Kindergarten Cop (1990), he failed to do same with Sylvester Stallone in Stop! Or My Mom Will Shoot (1991); nor was the Schwarzenegger-Danny De Vito vehicle Junior (1994) able to match the success of the stars' earlier pairing in Reitman's Twins (1988). After a few ups and downs in the early '90s, Reitman was way back up with Dave (1993), an uncharacteristically low-key political satire. Thus far, Ivan Reitman's number one unrealized project is a live-action feature based on the cartoon character Inspector Gadget. In the summer of 2001, the man who brought fans Ghostbusters was back with another summer sci-fi comedy extravaganza, Evolution.

Don Simpson

Movie Producers
Don Simpson

Personal Info
Born: 29 October 1943, Seattle, Washington, USA
Died: 19 January 1996 (aged 52)
Birth Name: Donald Clarence Simpson

Salary
• n/a

Companies
• n/a

Representation
• n/a

Awards
• n/a

Film Credits
The Rock - Producer, In Memory Of 1996
Dangerous Minds - Producer 1995
Crimson Tide - Producer 1995
Bad Boys - Producer 1995
Jungleground - Executive Producer 1995
The Ref - Executive Producer 1994
Days of Thunder - Producer, Aldo Bennedetti 1990
Beverly Hills Cop II - Producer 1987
Top Gun - Producer 1986
Beverly Hills Cop - Producer 1984
Thief of Hearts - Producer 1984
Flashdance - Producer 1983
Cannonball! - Assistant District Attorney, Writer 1976
Aloha, Bobby and Rose - Writer (uncredited) 1975

BiographyDon Simpson, one of the most highly regarded creative forces in the entertainment industry and one of the most successful producers of all time, was a filmmaker who loved movies. In the 1980s, he was responsible for some of entertainment's most popular and enduring motion pictures. In the 1990s, this exceptional and unique producer continued that tradition, bringing audiences worldwide films that thrill, excite and delight. His tremendous contributions to the entertainment industry are dearly missed and there will always be an empty seat at the theatre.
Let's take a look back at the films that begin with the dual lightning bolt. With worldwide revenues of over $10 billion in box office, video and recording receipts, Simpson earned not only the acclaim and respect of the entertainment industry but the devotion of moviegoers worldwide.
Simpson was a native of Anchorage, Alaska, and spent several years as a senior executive at Paramount Pictures before becoming President of Worldwide Production at Paramount. As president, Simpson was instrumental in the making of such films as American Gigolo, Urban Cowboy, Little Darlings, An Officer and a Gentleman, and 48 HRS. The years at Paramount fueled Simpson's creativity, provided him with invaluable experience and inspired him to take on his own projects. The first was the 1983 smash hit "Flashdance", which grossed $100 million in the U.S. alone and made an instant star of Jennifer Beals. It also paired Simpson with an old acquaintance Jerry Bruckheimer, who would be his partner for the next 14 years.
One of the most prolific partnerships in motion picture history, Simpson and Bruckheimer produced films that were honored with 15 Academy Award nominations, two Oscars for Best Song, four Grammies, three Golden Globes, two People's Choice Awards for Best Picture, and the MTV award for Best Picture of the Decade. Equally important to Simpson creatively was the fact that the films were turning the stars into box office giants. "Beverly Hills Cop" launched Eddie Murphy's career and "Top Gun" made Tom Cruise an international superstar.
Industry acclaim followed the box office success. In both 1985 and 1988, the National Association of Theatre Owners (NATO) named Simpson Producer of the Year. And in 1988, along with his partner, Simpson was chosen as the Motion Picture Showman of the Year by the Publicists Guild of America.
Simpson and Bruckheimer were one of the most distinguished producing teams in motion picture history. Throughout the Eighties, they connected with such smash hits as Flashdance (1983) with Jennifer Beals, Beverly Hills Cop (1984)starring Eddie Murphy, Top Gun (1986) with Tom Cruise, Beverly Hills Cop II (1987) and "Days of Thunder" with Tom Cruise as Cole Trickle.
By 1995 the team was producing one hit after another. In that year alone, Simpson was responsible for Bad Boys (1995), the Will Smith/Martin Lawrence film that was Columbia Pictures' highest grossing movie of the year; Michelle Pfeiffer's acclaimed Dangerous Minds (1995); and Crimson Tide (1995), the Denzel Washington/Gene Hackman adventure thriller.
In 1996 Simpson produced Rock, The (1996) starring Sean Connery and Nicolas Cage. The film brought in nearly $350 million worldwide at the box office, and set the video rental market record as the most-ordered film in history. 'The Rock', named Favorite Movie of the Year by the National Association of Theater Owners (NATO) was Simpson's last movie. Don Simpson died in 1996.

Jerry Bruckheimer

Movie Producers
Jerry Bruckheimer
Personal Info

Born: 21 September 1945, Detroit, Michigan, USA
Birth Name: Jerome Bruckheimer

Salary
• n/a

Companies
• Jerry Bruckheimer Films

Representation
• Creative Artists Agency
• Rogers & Cowan PR (publicist)

Awards
Emmy Awards
2005
• Won, Emmy
Outstanding Reality-Competition Program for The Amazing Race (2001)
Shared With: Bert Van Munster (executive producer), Jonathan Littman (executive producer), Hayma Washington (executive producer), Amy Chacon (co-executive producer), Evan Weinstein (co-executive producer), Elise Doganieri (supervising producer), John Moffet (supervising producer), Mark A. Vertullo (supervising producer), Scott Owens (supervising producer), Julian Grimmond (senior producer), Nancy Gunn (senior producer), Alex Rader (senior producer), Glenn Stickley (senior producer), Jennifer Basa (producer), David Brown (producer), Patrick Cariaga (producer), Jarratt Carson (producer), Allison Chase (producer), Curtis Colden (producer), Al Edgington (producer), Barry Hennessey (producer), Michael Norton (producer), Michael Noval (producer), Giselle Parets (producer), Bob Parr (producer), Bill Pruitt (producer), Matt Schmidt (producer), Rebekah Fry (producer), Richard Hall (producer), Phil Keoghan (host)

2004
• Won, Emmy
Outstanding Reality-Competition Program for The Amazing Race (2001)
Shared With: Bert Van Munster (executive producer), Jonathan Littman (executive producer), Jon Kroll (co-executive producer), Hayma Washington (co-executive producer), Amy Chacon (supervising producer), Anthony Dominici (supervising producer), Rick Ringbakk (supervising producer), Evan Weinstein (senior producer), Elise Doganieri (producer), Brady Connell (producer), Julian Grimmond (producer), Shannon McGinn (producer), Michael Norton (producer), Michael Noval (producer), Bob Parr (producer), Phil Keoghan (host)

• Nominated, Emmy
Outstanding Drama Series for CSI: Crime Scene Investigation (2000)
Shared With: Carol Mendelsohn (executive producer), Jonathan Littman (executive producer), Anthony E. Zuiker (executive producer), Ann Donahue (executive producer), Danny Cannon (executive producer), William L. Petersen (executvie producer), Cynthia Chvatal (executive producer), Naren Shankar (co-executive producer), Andrew Lipsitz (co-executive producer), Josh Berman (supervising producer), Louis Shaw Milito (producer), Kenneth Fink (producer), Richard J. Lewis (producer), Bruce Golin (producer), Elizabeth Devine (producer)

2003
• Won, Emmy
Outstanding Reality/Competition Program for The Amazing Race (2001)
Shared With: Bert Van Munster (executive producer), Jonathan Littman (executive producer), Scott Einziger (co-executive producer), Hayma Washington (co-executive producer), Rick Ringbakk (supervising producer), Anthony Dominici (supervising producer), Elise Doganieri (producer), Brady Connell (producer), Julian Grimmond (producer), Michael Norton (producer), Bob Parr (producer), Ben Samek (producer), Evan Weinstein (producer), Tammara Wells (producer), Phil Keoghan (host)

• Nominated, Emmy
Outstanding Drama Series for CSI: Crime Scene Investigation (2000)
Shared With: Carol Mendelsohn (executive producer), Ann Donahue (executive producer), Anthony E. Zuiker (executive producer), Danny Cannon (executive producer), William L. Petersen (co-executive producer), Jonathan Littman (co-executive producer), Cynthia Chvatal (co-executive producer), Naren Shankar (co-executive producer), Andrew Lipsitz (supervising producer), Louis Shaw Milito (producer), Josh Berman (producer), Kenneth Fink (producer), Richard J. Lewis (producer)

2002
• Nominated, Emmy
Outstanding Drama Series for CSI: Crime Scene Investigation (2000)
Shared With: Carol Mendelsohn (executive producer), Ann Donahue (executive producer), Anthony E. Zuiker (executive producer), Sam Strangis (co-executive producer), Jonathan Littman (co-executive producer), Cynthia Chvatal (supervising producer), William L. Petersen (supervising producer), Danny Cannon (supervising producer)

Another 5 wins & 10 nominations
Film Credits
Pirates of the Caribbean: Dead Man's Chest - Producer 2006
Glory Road - Producer 2006
National Treasure - Producer 2004
King Arthur - Producer, Executive Soundtrack Producer 2004
Diary of a Pirate (video documentary short) - Producer 2003
Bad Boys II - Producer, Executive Soundtrack Producer 2003
Veronica Guerin - Producer 2003
Pirates of the Caribbean: The Curse of the Black Pearl - Producer 2003
Kangaroo Jack - Producer 2003
Bad Company - Producer 2002
Black Hawk Down - Producer 2001
Pearl Harbor - Producer 2001
Remember the Titans - Producer 2000
Coyote Ugly - Producer 2000
Gone in Sixty Seconds - Producer 2000
Hassel - Förgörarna - Thanks 2000
Enemy of the State - Producer 1998
Armageddon - Producer 1998
Con Air - Producer 1997
The Rock - Producer 1996
Dangerous Minds - Producer 1995
Crimson Tide - Producer 1995
Bad Boys - Producer 1995
The Ref - Executive Producer 1994
Days of Thunder - Producer 1990
Beverly Hills Cop II - Producer 1987
Top Gun - Producer 1986
Beverly Hills Cop - Producer 1984
Thief of Hearts - Producer 1984
Flashdance - Producer 1983
Young Doctors in Love - Producer 1982
Cat People - Executive Producer 1982
Thief - Producer 1981
Defiance - Producer 1980
American Gigolo - Producer 1980
March or Die - Producer 1977
Farewell, My Lovely - Producer 1975
Rafferty and the Gold Dust Twins - Associate Producer 1975
The Culpepper Cattle Co. - Associate Producer 1972

BiographyHalf of the producing tandem behind the most testosterone-laden action flicks, the name Jerry Bruckheimer has become synonymous with explosive pyrotechnics and machine-gun fire. The producer of such hits as Beverly Hills Cop (1984), Top Gun (1986), and Days of Thunder (1990), Bruckheimer dissolved his partnership with hard-partying producer Don Simpson in 1995, only weeks before Simpson's death and after 14 tumultuous years together. Despite a reputation for quantity over quality, Bruckheimer has remained one of Hollywood's most successful producers ever, putting his distinctive stamp on such adrenaline-fueled hits as Con Air (1997) and Armageddon (1998). The son of German-Jewish immigrants, Bruckheimer was born on September 21, 1945. He grew up poor, living in a tiny house in a blue-collar Jewish section of Detroit. Dropped off at a weekly matinee by his mother and salesman father, Bruckheimer developed a love for the cinema that eventually channeled him toward photography. He won several local prizes before fleeing Detroit for Madison Avenue, by way of the University of Arizona, where he received a degree in psychology, and on the strength of a Bonnie and Clyde spoof he helmed for Pontiac. The future producer left a lucrative advertising job in New York to accept low-paying film work in the early '70s, part of the pursuit of his dream. He worked with director Dick Richards on his first few projects, as associate producer on The Culpepper Cattle Company (1972) and producer on Farewell, My Lovely (1975) and March or Die (1977). Bruckheimer began gaining notice through a pair of Paul Schrader films, the Richard Gere hustler film American Gigolo (1979), and the feline horror flick Cat People (1982). But it was his first pairing with old buddy Don Simpson, on the 1983 surprise smash Flashdance that kicked off his string of hits, which has continued more or less unabated. The underdog story of a Pittsburgh arc welder with dreams of ballet dancing, Flashdance used a synthesis of music, sex, quick edits, and bold aspirations to rake in 95 million dollars -- an incredible take for an unheralded R-rated film, making it the third-highest box-office haul of 1983. Bruckheimer and Simpson were on the map and then some. Forming Simpson-Bruckheimer Productions and signing a long-term deal with Paramount, Bruckheimer and Simpson complemented each other well, likening their partnership to a strong marriage, but without the sex. Simpson's extensive industry contacts and Hollywood ladder climbing earned him the nickname "Mr. Inside," while Bruckheimer's practical experience with filmmaking, much of it through advertising, qualified him as "Mr. Outside." With both sides covered, the pair could do no wrong. Their popcorn films fed the public's need for the loud and the proud, quickly assuming iconic status and elevating such actors as Tom Cruise (Top Gun) and Eddie Murphy (Beverly Hills Cop) to bona-fide superstardom. In 1990, the team dissolved its deal with Paramount "by mutual agreement," and began a non-exclusive, five-year pact with Disney subsidiary Hollywood Pictures the following year. Initially slowed, but undaunted, Bruckheimer and Simpson had their next big wave of hits in 1995, releasing Dangerous Minds, Crimson Tide, and Bad Boys in quick succession and reaffirming their relevance. However, Simpson's behind-the-scenes drug problems were damaging the partnership irreparably, and Bruckheimer called off the professional union at the end of that successful year, at the close of production on The Rock (1996). Simpson died a month later of heart failure. As both Mr. Inside and Mr. Outside, Bruckheimer excelled. Con Air was a hit in 1997, and the Bruce Willis asteroid flick Armageddon grossed the second most of any film released in 1998, at just over 200 million dollars. Bruckheimer achieved mid-level success -- but at the cost of ever-growing critical disdain -- with the releases of Enemy of the State (1998), Gone in 60 Seconds (2000), and Coyote Ugly (2000). Hoping to mix Oscar credentials with his traditional blend of wham-bam thrills, Bruckheimer provided the muscle behind Michael Bay's 150-million-dollar-plus World War II action-romance Pearl Harbor (2001). But critics and the Academy were not as receptive to this film as to such epic tragedies as Titanic (1997) and Saving Private Ryan (1998), and issued Bruckheimer across-the-board raspberries. The film was considered an unqualified dud, its 200-million-dollar take well short of expectations. Bruckheimer did achieve a measure of redemption later that year with the release of Black Hawk Down. Ridley Scott's re-creation of an ill-fated U.S. military mission in Somalia, the film scored raves and four Oscar nominations, winning for its editing and sound.

Steven Spielberg

Movie Producers
Steven Spielberg

Personal Info
Born: 18 December 1946, Cincinnati, Ohio, USA
Birth Name: Steven Allan Spielberg

Salary
• Jurassic Park III (2001): $72,000,000
• Schindler's List (1993): $0 (Asked not to be paid.)
• Jurassic Park (1993): $250,000,000 (gross and profit participations)
• Raiders of the Lost Ark (1981): $1,500,000 + % of gross

Companies
• Amblin Entertainment
• DreamWorks SKG

Representation
• Creative Artists Agency
• Gang, Tyre, Ramer & Brown Inc. (legal)

Awards
2006
• Nominated, Oscar
Best Motion Picture of the Year for Munich (2005)
Shared With: Kathleen Kennedy, Barry Mendel

• Nominated, Oscar
Best Achievement in Directing for Munich (2005)

1999
• Won, Oscar
Best Director for Saving Private Ryan (1998)

• Nominated, Oscar
Best Picture for Saving Private Ryan (1998)
Shared With: Ian Bryce, Mark Gordon, Gary Levinsohn

1994
• Won, Oscar
Best Director for Schindler's List (1993)

• Won, Oscar
Best Picture for Schindler's List (1993)
Shared With: Gerald R. Molen, Branko Lustig

1987
• Irving G. Thalberg Memorial Award

1986
• Nominated, Oscar
Best Picture for The Color Purple (1985)
Shared With: Kathleen Kennedy, Frank Marshall, Quincy Jones

1983
• Nominated, Oscar
Best Director for E.T. the Extra-Terrestrial (1982)

• Nominated, Oscar
Best Picture for E.T. the Extra-Terrestrial (1982)
Shared With: Kathleen Kennedy

1982
• Nominated, Oscar
Best Director for Raiders of the Lost Ark (1981)

1978
• Nominated, Oscar
Best Director for Close Encounters of the Third Kind (1977)

Another 102 wins & 71 nominations
Film Credits
Monster House - Executive Producer 2006
Munich - Producer, Director 2005
Memoirs of a Geisha - Producer 2005
The Legend of Zorro - Executive Producer 2005
War of the Worlds - Director 2005
Star Wars: Episode III - Revenge of the Sith - Assistant Director (action scenes) 2005
The Terminal - Producer, Director 2004
Catch Me If You Can - Producer, Director 2002
Men in Black II - Executive Producer 2002
Minority Report - Director 2002
Price for Peace (documentary) - Executive Producer 2002
Vanilla Sky - Guest at David Aames' Party (uncredited) 2001
Jurassic Park III - Executive Producer 2001
Artificial Intelligence: AI - Producer, Director, Writer (screenplay) 2001
Evolution - Executive Producer (uncredited) 2001
Shrek - Executive Producer (uncredited) 2001
Eyes of the Holocaust (documentary) - Executive Producer 2000
What Lies Beneath - Idea 2000
The Unfinished Journey (documentary short) - Director 1999
Wakko's Wish (video) - Executive Producer (uncredited) 1999
The Haunting - Executive Producer (uncredited), Second Unit Director (uncredited) 1999
The Last Days (documentary) - Executive Producer 1998
Saving Private Ryan - Producer, Director 1998
The Mask of Zorro - Executive Producer 1998
Deep Impact - Executive Producer 1998
Amistad - Producer, Director 1997
Men in Black - Executive Producer 1997
The Lost World: Jurassic Park - Director, Popcorn-Eating Man (uncredited) 1997
The Lost Children of Berlin (documentary) - Executive Producer 1997
Twister - Executive Producer 1996
The Best of Roger Rabbit (video) - Executive Producer 1996
Balto - Executive Producer 1995
Casper - Executive Producer 1995
The Flintstones - Executive Producer (as Steven Spielrock) 1994
I'm Mad (short) - Executive Producer 1994
Yakko's World: An Animaniacs Singalong (video) - Executive Producer 1994
Schindler's List - Producer, Director 1993
We're Back! A Dinosaur's Story - Executive Producer 1993
Jurassic Park - Director 1993
Trail Mix-Up (short) - Executive Producer 1993
Tiny Toon Adventures: How I Spent My Vacation (video) - Executive Producer 1992
Hook - Director 1991
An American Tail: Fievel Goes West - Producer 1991
Cape Fear - Executive Producer (uncredited) 1991
A Brief History of Time (documentary) - Executive Producer (uncredited) 1991
Arachnophobia - Executive Producer, Second Unit Director (uncredited) 1990
Gremlins 2: The New Batch - Executive Producer 1990
Roller Coaster Rabbit (short) - Executive Producer 1990
Back to the Future Part III - Executive Producer 1990
Yume - Executive Producer (international version) 1990
Joe Versus the Volcano - Executive Producer 1990
Always - Producer, Director 1989
Back to the Future Part II - Executive Producer 1989
Dad - Executive Producer 1989
Tummy Trouble (short) - Executive Producer 1989
Indiana Jones and the Last Crusade - Director 1989
The Land Before Time - Executive Producer 1988
Who Framed Roger Rabbit - Executive Producer 1988
*batteries not included - Executive Producer 1987
Empire of the Sun - Producer, Director 1987
Three O'Clock High - Executive Producer (uncredited) 1987
Innerspace - Executive Producer 1987
Harry and the Hendersons - Executive Producer (uncredited) 1987
An American Tail - Executive Producer 1986
The Money Pit - Executive Producer, Presenter 1986
The Color Purple - Producer, Director 1985
Young Sherlock Holmes - Executive Producer 1985
Back to the Future - Executive Producer 1985
The Goonies - Executive Producer, Writer (story) 1985
Fandango - Executive Producer (uncredited) 1985
Gremlins - Executive Producer, Presenter, Man in Electric Wheelchair (uncredited) 1984
Indiana Jones and the Temple of Doom - Director, Tourist at Airport (uncredited) 1984
Twilight Zone: The Movie - Producer, Director (segment 2) 1983
Poltergeist - Producer, Writer (screenplay) (story), Editor (uncredited) 1982
E.T. the Extra-Terrestrial - Producer, Director 1982
Continental Divide - Executive Producer 1981
Raiders of the Lost Ark - Director 1981
Used Cars - Executive Producer 1980
The Blues Brothers - Cook County Assessor's Office Clerk 1980
1941 - Director 1979
I Wanna Hold Your Hand - Executive Producer 1978
Close Encounters of the Third Kind - Director, Writer (written by) 1977
Taxi Driver - Supervising Editor (uncredited) 1976
Jaws - Director, Musician (uncredited), Lifestation Worker (voice) (uncredited) 1975
The Sugarland Express - Director, Writer (story) 1974
Ace Eli and Rodger of the Skies - Writer (story) 1973
Amblin' (short) - Director, Writer, Editor (uncredited) 1968
Faces - Production Assistant (uncredited) 1968 11,763
Slipstream (short) - Director (unfinished), Writer 1967
Firelight - Director, Writer (as Steve Spielberg), Editor 1964
Escape to Nowhere (short) - Director, Writer (as Steve Spielberg), Editor 1961
Fighter Squad (short) - Director, Writer, Editor 1961
The Last Gun (short) - Director, Actor, Editor 1959

Biography
Without a doubt one of the most influential film personalities in the history of film, Steven Spielberg is perhaps Hollywood's best known director and one of the wealthiest filmmakers in the world. Spielberg has countless big grossing critically acclaimed credits to his name, both as producer, director and writer. Spielberg was born in Cincinnati, Ohio in 1946. He went to Long Beach University, but dropped out to pursue his entertainment career. He gained notoriety as an uncredited assistant editor on the classic western Wagon Train. Among his early directing efforts were Battle Squad (1961), which combined World War Two Footage with footage of an airplane that is on the ground he makes you believe is moving. He also directed Escape to Nowhere, which featured kids as World War Two soldiers, including his sister Anne Spielberg. (1961) And Last Gun, The (1959), a western. All of these were short films. The next couple of years Spielberg directed a couple of movies that would be foretelling to his future career in movies. In 1964 he directed Firelight a movie about aliens invading a small town. In 1967 he directed the movie Slipstream which was unfinished. But in 1968 he directed the movie, “Amblin” which featured the desert prominently, and not the first Spielberg movie the desert would be so prominent in. Amblin would also become the production company he would produce many films with, including the classic E.T. Spielberg had a unique and classic early directing project, Duel (1971) (TV), with Dennis Weaver. The film is considered a unique classic that still baffles some. In the early 1970s Spielberg was working on TV, in Rod Serling's "Night Gallery" (1970), "Marcus Welby, MD" (1969) and Columbo, to name a few. All of his works in television and short films, as well as his directing projects were just the beginning of the gathering storm of talent that would become the Spielberg that made the brilliant films he would later become known for internationally. As an undoubted rising star, his major directorial effort was the Sugarland Express, The (1974), with Goldie Hawn. It was his next directorial effort that made Spielberg an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster, or at least he was credited with starting the tradition.

His next effort was the classic Close Encounters of the Third Kind (1977), a unique and very original UFO story that remains a cult classic. In 1978 Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed his first effort with Used Cars (1980), a critically acclaimed, but mostly forgotten Kurt Russell\Jack Warden comedy.
Spielberg hit gold again directing Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first one was Poltergeist (1982), but the highest grossing movie of all time up to that point was the alien story, E.T. the Extra-Terrestrial (1982). Spielberg also made money a major part of the film industry, or at least a bigger part of the industry than it was before. He was the first producer to use product placement in his films, with the infamous placement of Reese’s Pieces in 'E.T.'. Spielberg was also one of the pioneers of the big grossing special effects movies, like E.T., and 'Close Encounters', where a very strong emphasis on special effects was placed for the first time on such a large scale. In 1984 Spielberg followed up 'Raiders' with Indiana Jones and the Temple of Doom (1984), which was a commercial success but critically did not live up to its predecessor.
As a producer Spielberg took on many projects in the 1980s, such as the silly Goonies, and was the brains behind the little monsters in Gremlins (1984). Spielberg also produced the cartoon American Tail, An (1986) (qv), a quaint little animated classic. But his biggest effort as producer in 1985 was the blockbuster Back to the Future (1985), which made 'Michael J. Fox' an instant superstar. As director, Spielberg took on the book Color Purple, The (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s he also directed Empire of the Sun (1987), which was a mixed success for the occasionally erratic Spielberg. But success would not escape him for long. The late eighties found Spielberg's projects at the center of pop culture, yet again. In 1988 he produced the landmark animation/live action film Who Framed Roger Rabbit (1988). But 1989 proved to be another big year for Spielberg, as he produced and directed Always (1989), as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the movies were box office and critical successes.
Also in 1989 Steven Spielberg produced the little known comedy drama Dad, with Jack Lemmon and Ted Danson, which gave mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the nineties.Aside from producing the landmark Who Framed Roger Rabbit, Steven Spielberg produced the TV show Tiny Toon Adventures, Animaniacs, Pinky and the Brain, Freakazoid, Pinky Elmira and The Brain,Family Dog, and Toonsylvania. Spielberg also produced other cartoons such as the Land Before Time, We're back, a Dinosaur Story, Balto, Casper (the live action version) as well as the live action version of the Flintstones, where Steven Spielberg was credited as Steven Spielrock.Spielberg also produced many Roger Rabbit seperate cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials.
Spielberg was very active in the early nineties, as he directed Hook (1991) , and produced such films as the cute fantasy Joe Versus the Volcano (1990) and American Tail: Fivel Goes West, An (1991) . He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990), and Gremlins 2: The New Batch (1990). While the movies were big successes in their own right, they did not quite bring in the box office or appeal as previous efforts.
In 1993 Spielberg directed Jurassic Park (1993) which would go on to be the highest grossing movie of all time, for a short time. While the movie was a top grosser at the box office, the movie did not have the universal appeal of his previous efforts. But big box office spectacles were not his only line of business. He produced and directed Schindler's List (1993) (a stirring film about the Holocaust. He won best director at the Oscars, and also got best picture.
In the mid-nineties Spielberg founded the production company Dreamworks, responsible for many box office successes in the nineties and the new century. Spielberg as a producer was very active in the late nineties spearheading such films as Mask of Zorro, The (1998), Men in Black (1997), and Deep Impact (1998). But on the directing front Spielberg was in top form in the late nineties. Spielberg directed and produced the epic, Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997.
But 1998 found one of Spielberg's best films in years come to the theaters: Saving Private Ryan (1998). This movie was an almost perfect film about World War Two that is spectacular in almost every respect. The movie was stiffed at the Oscars, losing best picture to 'Shakespeare in Love'. In the nineties Spielberg produced a series of films, including Evolution (2001), Haunting, The (1999), and Shrek (2001). Spielberg also produced two sequels to Jurassic Park, which met with big box office but an increasingly critical crowd of movie-goers. In 2001 he produced the mini-series about World War Two entitled "Band of Brothers" (2001) (mini). Also in that year, Spielberg was back in the director’s chair for Artificial Intelligence: AI (2001), a movie with a message and a huge budget. The movie did reasonably at the box office and received mixed signals from critics.
As of right now Steven Spielberg is teaming up with Tom Cruise for the expected box office hit Minority Report (2002). While the movie is showing off good special effects and a stellar pairing of two titans of the silver screen the critics have not all been too friendly. Perhaps this is a further sign that Spielberg's days of big box office are on the decline. As well as producing Men in Black II (2002), Spielberg's next two projects are producing and directing Catch Me If You Can (2002), with Tom Hanks and Leonardo DiCaprio, and Indiana Jones 4 (2005) . While Spielberg has proven a brilliant filmmaker in the past his latest efforts have been mixed, but only the future will tell how he is looked upon as a presence in film.
And while Spielberg has been extremely active in films there are many other things he has done as well. Spielberg produced the short lived TV series Seaquest DSV, an anthology series entitled Amazing Stories, created the video game series Medal of Honor set during World War Two, and was a starting producer of E.R. Spielberg if you haven't noticed has a great interest in World War Two. Recently he produced the mini series Band of Brothers, which was based on true events of a rifle company that parachuted into France. Him and Tom Hanks collaborated on The Shooting War, about World War Two combat footage, and produced a documentary about the Holocaust called A Holocaust szemei. With everything to Spielberg's credit it is no wonder that he is looked at as one of the greatest ever figures in entertainment. Spielberg is a great filmmaker without a doubt, and it does not seem he is anywhere near done making films, and with all of the money he has he probably could do anything he wanted to. And recently Spielberg graduated from Long Beach State University with a degree in filmmaking. His possibilities are still limitless.

 
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